Essential DBT # 5: Sands of Iwo Jima (Hood)
Patterson Hood's long obsession with history is showcased in the excellent tune "Sands of Iwo Jima". In many ways, the song "Three Great Alabama Icons" is kin to this song as Hood skillfully weaves together familial history with that of the United States. This knitting is done purposefully by Hood, and serves as a prelude to a larger point he makes about war, the media, and patriotism.
Here, Hood's acoustic guitar is accompanied by a sensible, melodic touch from the band, complete with swirling keys, tasteful lead guitar licks, and steady bass n' drums. Hood's awkward falsetto explores the story of his grandfather, George A, and his commitment to both family and his misfortune of getting drafted into World War II. In a subtle way, "Sands of Iwo Jima" is an anti-war song, shaking a fist at Hollywood for presenting images of war and false glory by the likes of John Wayne, sanitizing the savagery for the American public post-fact. As Hood states himself, George A. "never saw John Wayne on the sands of Iwo Jima". Here it here, served over a delicious mix of acoustic southern rock-lite:
Here, Hood's acoustic guitar is accompanied by a sensible, melodic touch from the band, complete with swirling keys, tasteful lead guitar licks, and steady bass n' drums. Hood's awkward falsetto explores the story of his grandfather, George A, and his commitment to both family and his misfortune of getting drafted into World War II. In a subtle way, "Sands of Iwo Jima" is an anti-war song, shaking a fist at Hollywood for presenting images of war and false glory by the likes of John Wayne, sanitizing the savagery for the American public post-fact. As Hood states himself, George A. "never saw John Wayne on the sands of Iwo Jima". Here it here, served over a delicious mix of acoustic southern rock-lite:
I'm trying to learn this on guitar. Watching him play on some live videos it looks like he's playing in an alternate tuning, but I can't figure out what it is. All the guitar tabs online are wrong unfortunately. Any idea what tuning he's using?
ReplyDeleteI always thought it was in “drop D” tuning, if that helps any. Thanks for reading!
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